Sfoglia per Afferenza Dipartimento di Scienze umane
Introduction
2017-01-01 Bavaro, Vincenzo; Fusco, MARIA GIOVANNA; Fusco, Serena; Izzo, Donatella
Introduction
2022-01-01 Grossmann, Maria; Montermini, Fabio; Passino, Diana; Pescarini, Diego; Villoing, Florence
Introduction
2018-01-01 Consolino, F. E.
INTRODUCTION
2013-01-01 Conti, ALESSANDRO DOMENICO
Introduction
2002-01-01 Hopkins, ANDREW JAMES; Stamp, G.
Introduction
2012-01-01 Gozzano, Simone; Hill, C.
Introduction
In corso di stampa Filosini, Stefania
Introduction, in A. Longo (a cura di, in collaborazione con D. Del Forno), Argument from Hypothesis in Ancient Philosophy, Napoli, Bibliopolis 2011, pp. 11-17.
2011-01-01 Longo, Angela
Introduction, section III (The theme of Providence in tr. 33 (Enn. II 9) and 47-48 (Enn. III 2-3): an exemple of Plotinus' criticism of Epicurus) and section IV (A multifocal polemic), in A. Longo and D.P. Taormina (eds.), Plotinus and Epicurus: Matter, perception, pleasure, Cambridge, Cambridge University Press 2016, pp. 14-25.
2016-01-01 Longo, Angela
Introduction. Rethinking Orality: Some Reasons for a Research
2022-01-01 Ercolani, A.; Lulli, L.
Introduction: Compounds between syntax and lexicon
2009-01-01 Grossmann, Maria; Gaeta, Livio
Introduction: Orality and Epic Poetry. Old Questions and New Perspectives
2022-01-01 Ercolani, A.; Lulli, L.
Introduction: The Gesamtkunstwerk as a Synergy of the Arts
2021-01-01 Fusillo, Massimo
Introduction: Towards Multi-perspective and Multidisciplinary Approaches
2021-01-01 Arefian, F. F.; Ryser, J.; Hopkins, A.; Mackee, J.
Introduction: Why hold a Session on Hazards and Disasters in the EUGEO Congress 2013?
2014-01-01 Calandra, LINA MARIA; Forino, G.; Porru, A.
Introductory Essay - Children and young people know…Do Adults listening?
2018-01-01 Calaprice, Silvana; Nuzzaci, Antonella
Introductory Notes
2016-01-01 Lulli, L; Colesanti, G.
Introduzione
2022-01-01 Staiti, Chiara; Consolino, Franca Ela
Introduzione
2021-01-01 De Liso, D.; Merola, V.; Valerio, S.
Introduzione
2020-01-01 Pezzuto, L.
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