Emma Dante has gained an intense experience in the field of directing opera and with Macbeth (2017) confirms the vocation towards a visual style of great impact and a strongly corporeal acting. The essay explores three levels of the directorial composition of the work - the physical-gestural level, the ritual level, the mix between tragic and comic - and aims to underlines the breadth of figurative and symbolic references.
Il corpo, il rito, il tragicomico. Emma Dante e il “Macbeth” di Verdi
FUSILLO MASSIMO
2017-01-01
Abstract
Emma Dante has gained an intense experience in the field of directing opera and with Macbeth (2017) confirms the vocation towards a visual style of great impact and a strongly corporeal acting. The essay explores three levels of the directorial composition of the work - the physical-gestural level, the ritual level, the mix between tragic and comic - and aims to underlines the breadth of figurative and symbolic references.File in questo prodotto:
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