Emma Dante has gained an intense experience in the field of directing opera and with Macbeth (2017) confirms the vocation towards a visual style of great impact and a strongly corporeal acting. The essay explores three levels of the directorial composition of the work - the physical-gestural level, the ritual level, the mix between tragic and comic - and aims to underlines the breadth of figurative and symbolic references.

Il corpo, il rito, il tragicomico. Emma Dante e il “Macbeth” di Verdi

FUSILLO MASSIMO
2017-01-01

Abstract

Emma Dante has gained an intense experience in the field of directing opera and with Macbeth (2017) confirms the vocation towards a visual style of great impact and a strongly corporeal acting. The essay explores three levels of the directorial composition of the work - the physical-gestural level, the ritual level, the mix between tragic and comic - and aims to underlines the breadth of figurative and symbolic references.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11697/142528
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