Raphaël Siboni’s Il n’y a pas de rapport sexuel provides the opportunity to identify some of the main changes in the porno industry that occurred in the transition, during the nineties, from the tradional blue movies to the new “all sex” productions, especially oriented on genres such as pro–am or gonzo. In particular, the essays reports on the appearance of a specific “effect of reality” related to amateur’s ambiance, and finally puts the focus on gonzo’s contradictions, exploring its symbolical and esthetical meaning.
Frontières du visible. Les contradictions du porno
SIMONETTI, GIANLUIGI
2013-01-01
Abstract
Raphaël Siboni’s Il n’y a pas de rapport sexuel provides the opportunity to identify some of the main changes in the porno industry that occurred in the transition, during the nineties, from the tradional blue movies to the new “all sex” productions, especially oriented on genres such as pro–am or gonzo. In particular, the essays reports on the appearance of a specific “effect of reality” related to amateur’s ambiance, and finally puts the focus on gonzo’s contradictions, exploring its symbolical and esthetical meaning.File in questo prodotto:
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