Ovidio sugli schermi del nuovo millennio,

After a theoretical introduction on visuality, intermediality, and screenology, the paper deals with Ovid’s contemporary intermedial reception, first focussing on videogames and videoart (especially the myth of Narcissus and its rewriting in Bill Viola’s The Reflecting Pool), and then analyzing two movies, totally and directly inspired by The Metamorphoses, Christopher Honoré’s Métamorphoses and Yanira Yariv’s Amori e metamorfosi (both 2014), which develop the themes of sexuality, identity, artistic creativity. This recent Ovidian explosion can be considered the prelude of a new intermedial aetas Ouidiana