This contribution is a reflection on how the figure of Narcissus was interpreted in painting and sculpture between the sixteenth and seventeenth centuries. In particular, the work focuses on the Narcissus in the Palazzo Barberini, variously attributed to Caravaggio and Spadarino, and on how the theme has been addressed in sculpture.
The Myth of Narcissus in Painting and Sculpture in the Sixteenth and Seventeenth Centuries: Some Reflections
M. Maccherini
;V. Merola
2022-01-01
Abstract
This contribution is a reflection on how the figure of Narcissus was interpreted in painting and sculpture between the sixteenth and seventeenth centuries. In particular, the work focuses on the Narcissus in the Palazzo Barberini, variously attributed to Caravaggio and Spadarino, and on how the theme has been addressed in sculpture.File in questo prodotto:
Non ci sono file associati a questo prodotto.
Pubblicazioni consigliate
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
