GUARRACINO, SERENA
GUARRACINO, SERENA
Dipartimento di Scienze umane
Africa as Voices and Vibes: Musical Routes in Toni Morrison's Margaret Garner and Desdemona
2015-01-01 Guarracino, S
African Women Don’t Do Depression: Vulnerability and the Happiness Imperative in Chimamanda Ngozi Adichie and Chika Unigwe
2016-01-01 Guarracino, Serena
“Ancora tre notti insonni”
2018-01-01 Guarracino, Serena
Beth Ditto and the Post-Feminist Masquerade; or How ‘Post’ can Post-Punk Be?
2012-01-01 Guarracino, S
‘Building Babel Is What People Do’: Suniti Namjoshi and Cultural Technology
2009-01-01 Guarracino, S
Building Sites: Suniti Namjoshi's Hypertextual Babel
2006-01-01 Guarracino, S
Competing Hegemonies: Can Suniti Namjoshi Be Named 'Black British'?
2010-01-01 Guarracino, S
Concerto a tre voci: le trasgressioni musicali di Edward Said
2006-01-01 Guarracino, S
Culture e nuovi media. Cinque interrogativi di Lev Manovich
2011-01-01 Guarracino, S
(de)gendering the postcolonial Postcoloniali e generi – postcoloniali degeneri
2015-01-01 Guarracino, S; Cariello, M
Donne di passioni. Personagge della lirica tra differenza sessuale, classe e razza
2011-01-01 Guarracino, S
Edward Said, la musica, il Mediterraneo
2008-01-01 Guarracino, S
An Effortless Voice: Vocal Masculinity and Transgender Identity in Kim Fu’s For Today I Am a Boy
2018-01-01 Guarracino, Serena
‘Elsewhere’ is here. The Politics of Space in Caryl Churchill’s Seven Jewish Children
2016-01-01 Guarracino, Serena
Giving Voice. Rewriting Opera in J.M. Coetzee’s Disgrace
2004-01-01 Guarracino, S
Gli Studi Culturali e l'università italiana
2017-01-01 Guarracino, S; Monegato, E; Scarabelli, L
Hosting the Bo(d)y Actor in Shakespeare’s Romances: An Experiment in Listening
2003-01-01 Guarracino, S
'I would like to disappear into those vowels’: Gender-Troubling Opera
2006-01-01 Guarracino, S
Identity, Power and Language in Suniti Namjoshi
2013-01-01 Guarracino, S
Il domatore domato tra rovesciamento e rivoluzione
2020-01-01 Guarracino, Serena